“My_Never_Ending_Burial_Plot”, Engholm Galerie, Vienna
“In an Act There is no After: On the Project Series X Characters.
My_Never_Ending_Burial_Plot”, presented by Room Gallery
and Orange County Museum of Art, OCMA Auditorium, California, USA
“My_Never_Ending_Burial_Plot”, premiere at 60th International Filmfestival Berlin / Forum Expanded, Berlin
“My_Never_Ending_Burial_Plot” at filmfestivals:
Era New Horizon Filmfestival, Wrocław, Poland
Diagonale Filmfestival, Graz
Tel Aviv Film Festival, Tel Aviv, Israel
“X Love Scenes”, Engholm Engelhorn Galerie, Vienna
“X NaNa / Subroutine (The Difficulty of Being)”, Engholm Engelhorn Galerie, Vienna
“X Subroutines”, Kunsthalle Bern, Bern
“blindstorey / silencetracks”, commission for the
Contemporary Art Collection of Stift Admont, Austria
“A Memory of the Players in a Mirror at Midnight”, Entwistle Gallery, London
“A Memory of the Players in a Mirror at Midnight”, Kerstin Engholm Galerie, Vienna
“Art Statements”, Basel Art Fair
“apartment”, Tiroler Landesmuseum Ferdinandeum, Innsbruck
“OFF”, Kerstin Engholm Galerie, Vienna
“10:45 / and then I often think of you”, Galerie Menotti, Baden
“Time and Not the End of Desire”, Museum of Modern Art, Vienna
“bo.track.32”, Public Netbase, Vienna
“knot.project N.Y.C.” (w/ Peter Sandbichler), project in public spaces at the New Museum
of Contemporary Art, Cooper Union School, Austrian Cultural Institute New York and other locations
“kanal / The Media Pavilion (w/ Peter Sandbichler)”, Biennale di Venezia, Austrian Pavilion
“kanal” (w/ Peter Sandbichler), Galerie Gaudens Pedit, Lienz
“S. O. L.” (w/ Peter Sandbichler), Galerie Grita Insam, Vienna
“True / False / Else”, Neue Galerie Landesmuseum Joanneum, Graz
“A House Has a Top and Four Walls”, Galerie Krinzinger, Vienna

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“Play Admont. Spielerische Zugänge zu internationaler Gegenwartskunst”,
Stift Admont, Styria, Austria
“X Love Scenes” (Summercinema of the Temporäre Kunsthalle Berlin in cooperation with the Arsenal Cinema Berlin), curated by Stafanie Schulte Strathaus
“Die Fragilität des Seins. Ein medialer Bildessay in 9 Kapiteln”, (“Fragility of Being. A medial picture essay in 9 chapters”), Museum der Moderne Salzburg
“See this sound”, Lentos Kunstmuseum Linz
“Fragility of Being. Works from the Collection of the Museum der Moderne Salzburg”, National Museum of Contemporary Art (MNAC), Bucharest, Romania
“Empfindung. In der Nähe der Fehler liegen die Wirkungen”, (Sensations. The effects lies in the closeness of the mistakes), Augarten Contemporary, Vienna
“Another Tomorrow – Young Video Art from the Collection of the Neue Galerie Graz”, Slought Foundation, Philadelphia
“Die große Illusion”, (“The big illusion”), Top Kino Vienna (Screening)
“Asian Village”, in the course of the Wiener Festwochen
“System Mensch. Werke aus der Sammlung des MdM Salzburg”, MdM Salzburg, Austria
Museo Nacional Centro di Arte Reina Sofia, Madrid (Screening), Spain
“Paraflows, MAK-Gegenwartskunstdepot Gefechtsturm Arenbergpark Femmes ‘R’ Us., Vienna, Austria
“Feminismus in Popmusik Kunst Film Heute, Berlin, Germany
“Mimetisme”, Extracity, Antwerp, Belgium
“X Love Scenes”, Museo de la Reina Sofia, Madrid, Spain
“Under Pain of Death”, Austrian Cultural Forum, New York City, USA
“Forum Expanded: X Love Scenes”, 57. Berlinale, Berlin, Germany
“Kino wie noch nie”, Akademie der Künste, Berlin, Germany
12e biennale de l'image en mouvement, Geneve, Switzerland
“Demolition”, Engholm Engelhorn Galerie, Vienna, Austria
“Cinepolis Film und Architektur”, Metropolis Kino, Hamburg, Germany
“Why Pictures Now”, Museum Moderner Kunst, Vienna, Austria
“Kino wie noch nie”, Generali Foundation, Vienna, Austria
“Postmediale Kondition”, Centro Cultural Conde Duque, Madrid
“Postmediale Kondition”, Neue Galerie, Graz, Austria
“Nach Rokytnik – The EVN Collection”, MuMoK Museum Moderner Kunst, Vienna, Austria
“Walden 3. Versuche in der Wildnis”, Kunsthaus Mürz, Mürzzuschlag, Austria
“Lebt und arbeitet in Wien II”, Kunsthalle Wien, Vienna / Zacheta National Gallery of Art, Warsaw, Poland
“Topographie im Blick. Filmische Konstruktionen von Orten”, Kino Arsenal, Berlin, Germany
“PhotoEspana”, Madrid, Spain
Busan Biennale, Korea
3. berlin biennial for contemporary art, Berlin, Germany
“Communautés”, Institut d´art contemporain, Villeurbanne
“Made for Admont”, Stift Admont, Austria
Remont Gallery, Belgrade
“Fate of Alien Modes” (curator)
“Future Cinema”, Zentrum für Kunst und Medientechnologie, Karlsruhe
“Transfer – Wien”, Sammlung Falckenberg/PhoenixArt, Hamburg
“>redirect”, haus 0. program, Künstlerhaus Stuttgart
“Limits of Perception”, Fondacio Miro, Barcelona
“Uncommon Denominator: New Art from Vienna”, Mass MOCA, USA
“Travelling”, curated von Antje Ehmann and Harun Farocki, Kunstwerke Berlin
“Diesseits und jenseits des Traums. 100 Jahre Jacques Lacan”, Freud Museum, Vienna
“Im Buchstabenfeld”, curated by Peter Weibel, Neue Galerie Graz
“ACTION, ROLL: Endtroducing”, Villa Arson, Nice
“Shopping”, Generali Foundation, Vienna
“Interiors”, Galerie Six / Ungar, Munich
“Artfilm” ART Basel, Stadtkino Basel
“Illicit Form of Meditation”, haus. 0, Künstlerhaus Stuttgart
“Never Alone Again”, La Panaderia, Mexico City
“Skulptur als Möbel / Möbel als Skulptur”, Objekte aus der Sammlung der Neuen Galerie Graz
“Rupertinum Fotopreis 1999”, Rupertinum, Salzburg
“Der Medienturm”, Galerie Edition Artelier, Graz
“Video Art Festival”, St. Petersburg
“Kunst in der Stadt IV: Leben Kunst Werk”, Kunsthaus, Bregenz
“Richtung Museumsquartier – Die neue Sammlung”, Museum of Modern Art, Vienna
“Mars”, Post Gallery, Los Angeles
“D.A.CH.com”, Galerie Krinzinger im Benger Park, Bregenz
“Das Jahrhundert der Frauen”, Kunstforum, Vienna
“Punkt Linie Fläche Raum: abstract photography from the collection of the Austrian Photo Gallery Rupertinum”, Salzburg
“D.A.CH.com”, Galerie Krinzinger, Academy of Fine Arts, Semperdepot, Vienna
“sincerly yours – Videoart in Austria”, Municipal Gallery, Sofia
“there might be a place where one goes to feel better”, MAK Center, Los Angeles
“Positionen österreichischer Gegenwartskunst / positionen hedendaagse oostenrijkse kunst”, Cultureel Centrum “Schaarpoord”, Knokke-Heist, Belgium
“A Visao Austriaca”, Fundacao Calouste Gulbenkian, Lisbon
“Interactus V”, Istituto Culturale de Hungaria, Rom / Museum of Modern Art, Vienna “Bestandsaufnahme Sehen”, Transmediale 1998, Berlin
“Freeze Frame”, Galerie Grita Insam, Vienna
“Time Is Man – Space Is A Women”, Galleria Viafarini, Milano
“Jenseits von Kunst / Beyond Art”, Neue Galerie, Graz
“balance.akte”, Niederösterreichische Landesgalerie, Vienna; Kunsthalle Krems
“We Six” Galerie Brasilica, Vienna
“Jenseits von Kunst / Beyond Art”, Museum Ludwig, Budapest
“Film Stills”, Galerie Grita Insam, Vienna / Guadalajara
“Co wlasliwie sprawia, ze dzisiejsze miasta sa tak odmienne, tak seksy? / What makes big cities so different, so sexy today?”, Galerie BWA, Lodz
“Habitus Abito Habitare”, Museo Pecci, Prato
“Out of the Dark”, Elga Wimmer Gallery, New York
“Boxes”, Fotouhi Cramer Gallery, New York
“reaching out”, Grita Insam Gallery, Vienna
“Schrägspuren”, Tage zeitgenössischer Videokunst in Klagenfurt, Haus der Architektur,
Klagenfurt
“Austriaci a Roma”, Palazzo Braschi, Museo di Roma, Rome
“Dress”, Galleria Planita, Rome
“D.O.G. Radio”, Internet-Radio Projekt
“Auf den Leib geschrieben”, Kunsthalle im Messepalast, Vienna
“Skizzen, Modelle, Notizen”, Raum Aktueller Kunst, Vienna
“Self construction”, Museum of Modern Art, Vienna, 20er Haus
“Raum annehmen IV”, Galerie Grita Insam, Vienna
“The Media Pavillon: kanal”, Biennale di Venezia, Austrian Pavillon, Venice
“Translucent Writings”, Neuberger Museum of the Arts Purchase, NY; USF Contemporary Art Museum, Tampa, Florida
“Lokalzeit: Wiener Künstler im Spiegel des Unbehagens”, Kunstraum Strohal Vienna;
Moderna Galerija Ljubljana, Laibach; Fondazione Querini, Venice
“Intelligente Ambiente” (w/ Peter Sandbichler), Ars Electronica, Brucknerhaus, Linz
“Eigenwelt der Apparatewelt I”, Institute for New Media at the Städelschule, Frankfurt/Main
“Photosynthese”, Vorsetzen Gallery, Hamburg
“Eigenwelt der Apparatewelt II”, Stadtpark Gallery, Krems
“Keimfreie Wesen befehlen mir die Galerie keimfrei zu halten”, Hubert Winter Gallery, Vienna
“Gedanken, Skizzen, Entwürfe”, Karin Sachs Gallery, Munich
“Computerkünstler”, Künstlerwerkstatt Lothringerstraße, Munich
“Transparenz”, Palais Liechtenstein, Feldkirch
“Découvertes”, (w/ U.K.F.), Grand Palais, Paris
Visual Communications Lab, Boganzici, University Istanbul, Istanbul (Tape)
“CVC – Computer Video Camera”, Grita Insam Gallery, Vienna
“Die Idee einer Sammlung – 20 Jahre Galerie Grita Insam”, Dorotheum, Vienna
“On justifying the hypothetical character of art and its non-identicality in the object world”, (in cooperation with Peter Weibel), Tanja Grunert Gallery, Cologne

“Episode 5: Hard Cases, Bad Dreams, All Happy Families: Seriality in Film and Television” with Christoph Dreher, Diedrich Diedrichsen. Moderation: Constanze Ruhm, Michaela Wünsch – In the course of the 59th Berlinale, Forum Expanded Talk and Shows
Diederichsen Filmscreening and Artist Lecture at the Department of Visual and Environmental Studies, Harvard University Cambridge
“Sound Cultures. A symposium at the Academy of Fine Arts”, organised in collaboration
with Diedrich Diedrichsen, Vienna Filmmuseum
Lecture at the Université Sorbonne Nouvelle – Paris III / Institut de Recherche sur le Cinéma et de l’ Audiovisuel (Christa Blümlinger, Philippe Dubois)
“Reconsidering Relationality”,University of Florida Paris Research Center / Reid Hall
“Alexander Alberro”, University of Florida, Nora Alter, University of Florida
“Erinnern, wiederholen,übersetzen”. Artist’s talk with Christa Blümlinger in the framework of the exhibition “Cinema like never before”, Generali Foundation, Vienna
“Shifting Identities”, A talk and conversation with Marina Grzinic in the framework of City of Women, Ljubljana
Guest lecture at the symposium “Cinema and Contemporary Arts” in the framework of “Magis - Gradisca International Film Studies Spring School”, University of Udine
Concept and organisation fot the lecture series “Cinema is not a bad school” at Merz Academy, Stuttgart; Speakers: Thomas Tode, Babette Mangolte, Christa Blümlinger, Elfi Mikesch, Thomas Schadt.
“Theatricality in Contemporary Art” in the framework of the Visual Arts Program at the M.I.T., speaker and organiser in collaboration with Ute Meta Bauer
“X NaNa / Subroutine. A Conversation with Rike Frank”, Engholm Engelhorn Gallery, Vienna
“Shifting Identities”. Talk in the framework of “Shifting Boundaries”, a project by Regina Möller, Royal Art Academy Stockholm, Sweden
“Postmediale Kondition”. Opening talk for the symposium, Neue Galerie, Graz
“Anderes Kino / Other Cinema”, (w/ Christa Blüminger, Morgan Fisher, Sharon Lockhart, Mark Nash), panel in the framework of 3rd berlin biennial, Arsenal Kino, Berlin
“A conversation with Constanze Ruhm.” With Martin Prinzhorn, Depot Wien
“What is Enlightenment?”, Jan Van Eyck Academy, Netherlands

Award for Mediaart of Lower Austria
Award for Fine Arts, City of Vienna
Project Grant, Kunstfonds Bonn, Germany
Wilfried-Skreiner-Award, Austria
Fellowship at the Institute for Visual Media, ZKM Karlsruhe
Women's Award for Achievements in Media Art, Ministry of Culture, Vienna
Schindler Grant / Artist in Residence at the MAK Center for Art and Architecture, Los Angeles
Award for Media Art, Austria
Grant for Fine Arts of the Republic of Austria
Award for Computer Graphics, Prix Ars Electronica

Professor for Art and Digital Media, Academy of Fine Arts, Vienna
Professor for Film and Video, Merz Academy, Stuttgart
Guest Professor for Visual Media, Hochschule für Gestaltung Offenbach/Main

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“AAD Art Architecture Design Vienna“, Isabella Klausnitzer (Hrsg.), Wien, S. 52-53.
C. Ruhm, D. Diederichsen (Hsg.), Immediacy and Non-Simultaneity — Utopia of Sound,
Band 10 der Reihe Schriften der Akademie der bildenden Künste Wien
“See this sound”, Stella Rollig, Cosima Rainer (ed.), (exh. cat.), Lentos Museum Linz
“Kino aus zweiter Hand”, (“Second-hand Cinema”), Christa Blümlinger, Vorwerk 8, Berlin
“Die Fragilität des Seins”, (exh. cat.), MdM Salzburg
“Empfindungen oder in der Nähe der Fehler liegen die Wirkungen” (exh. cat.), Augarten Contemporary, Belvedere, Vienna
“Minutentexte. The Night of the Hunter”, Hg. Michael Baute, Volker Pantenburg, Verlag Brinkmann & Bose
“Kino wie noch nie” (exh. cat.), Generali Foundation, Vienna
“Why pictures now” (exh. cat.), Museum of Modern Art, Vienna
“Lebt und arbeitet in Wien II / Living and working in Vienna II” (exh. cat.), Kunsthalle, Vienna
“Postmediale Kondition” (exh. cat.), Neue Galerie am Landesmuseum Joanneum, Graz
“Simultan: Zwei Sammlungen Österreichischer Fotografie” (exh. cat.), Christian Brandstätter Verlag
“Index”, DVD, Edition Medienwerkstatt, Vienna
“Umwidmungen. Architektonische und Kinematographische Räume”, Gertrud Koch (ed.), Vorwerk8 Verlag, Berlin
“Busan Biennale Catalogue” (exh. cat.), Korea
“Komplex Berlin”, publication of the 3rd Berlin Biennale of contemporary art, Cologne
“3. Berlin Biennale für zeitgenössische Kunst” (exh. cat.), Ute Meta Bauer (ed.), Cologne
“Future Cinema” (exh. cat.), M. I. T. Press, Massachusetts
“Blindstorey / Silencetracks” (exh. cat.), Constanze Ruhm (ed.), Vienna
“Fate of Alien Modes” (exh. cat., ed.), Secession Vienna, Vienna
“Limits of Perception” (exh. cat.), Fondacio Miró, Barcelona, Barcelona
“Uncommon Denominator. New Art from Vienna” (exh. cat.), MassMoca, Massachusetts
“Im Buchstabenfeld. Die Zukunft der Literatur” (exh. cat.), Neue Galerie, Graz
“Action / Roll: Endtroducing” (exh. cat.), Villa Arson, Nice
“Paramour – Kunst im Kontext neuer Technologien”, Katharina Gsöllpointner / Ursula Hentschläger (ed.), TRITON Verlag, Vienna
“Das Jahrhundert der Frauen. Vom Impressionismus zur Gegenwart. Österreich 1870 bis heute” (exh. cat.), Kunstforum Vienna, Vienna
“Time and not the End of Desire” (exh. cat.), MUMOK Museum of Modern Art, Vienna
“Positionen Hedendaagse Oostenrijkese Kunst: culturel Centrum Knokke-Heist” (exh. cat.), Museum of Modern Art, Vienna
“Transmediale 98. Video Television Multimedia” (exh. cat.), Berlin
“Jenseits von Kunst” (exh. cat.), Peter Weibel (ed.), Museum of Modern Art, Budapest
“Was macht die Großstädte heute so anders, so sexy? (Co wlasliwie sprawia, ze dzisiejsze miasta sa tak odmienne, tak seksy?)” (exh. cat.), Galerie BWA, Lodz “Habitus Habito Habitare” (exh. cat.), Museo di Arte Moderna, Prato
“Out of the dark”, Elga Wimmer Gallery, New York
“Rom suchen – Artisti Austriaci a Roma” (exh. cat.), Folio Vienna / Bozen
“Kanal”, Constanze Ruhm / Peter Sandbichler (eds.), Vienna
“Auf den Leib geschrieben” (exh. cat.), Kunsthalle, Vienna
“balance.akt.96” (exh. cat.), Niederösterreichische Landesgalerie Vienna / Kunsthalle Krems
“Self Construction”, MUMOK Museum of Modern Art, Ritter Verlag Vienna / Klagenfurt
“The Media Pavilion. Austrian Contribution to the 46th Biennale di Venezia”, Peter Weibel (ed.), Springer Verlag Vienna / New York
“Intelligente Ambiente” (exh. cat.), Ars Electronica, Karl Gerbel / Peter Weibel (ed.), PVS Verleger, Vienna Vienna
“Lokalzeit – Wiener Künstler im Spiegel des Unbehagens”, Peter Weibel (ed.), Vienna
“Translucent Writings” (exh. cat.), Grita Insam Galerie, Vienna
“Transparenzen” (exh. cat.), Palais Liechtenstein, Feldkirch
“True false else” (exh. cat.), Neue Galerie, Graz
“Secret of Life”, Constanze Ruhm / Peter Sandbichler (eds.), Vienna
“Computerkünstler”, Galerie Karin Sachs, Munich
“On justifying the hypothetical nature of art and ist non-identicality in the object world”, Robert Fleck (ed.), Buchhandlung Walther König, Cologne
“CVC - Computer Video Camera” (exh. cat.), Galerie Insam, Vienna
“A House has a top and four Walls”, Galerie Krinzinger, Vienna
“The Belly of the Beast”, Peter Weibel / Academy for Applied Arts, Vienna
“Cultura Digitalis”, Zelko Wiener / Academy for Applied Arts, Vienna
“Bild Digital”, Bund Bildender Künstler Munich

Christian Tjaben, “Seven Women – An Interview With Constanze Ruhm”, in: Style & The Family Tunes, No. 67, Jan/Feb 2004
“Insert: Between Synopsis and Trailer” A commission for FRAME Magazine, in: FRAME Magazine, No. 11, Apr/May 2002
“Spaces of Translation: Speaking One Language, Understanding Another. A Conversation with Isaac Julien.”, in Camera Austria, No. 79
Maren Lübbke, “The Logic of the Obliterated Moment – Maren Lübbke in conversation with Constanze Ruhm”, text contributions by Ferdinand Schmatz, Christa Blümlinger, in: Camera Austria, No. 66

Michael Fembek, “Kunstbarometer 2010”, in: Gewinn, 9/10, September 2010, p. 38–43.
Sabine B. Vogel, “Play Admont: Gesponnene Erfahrung”, in: www.diepresse.com, 04.08.2010.
Carson Juli, “Liebe Arbeit Kino: Galaxie der Signifikanten.”, (“Love work cinema: Galaxy of the significant”), in: Texte zur Kunst Nr. 78, p. 166.
KS, “Galerienspiegel – Galerienrundgang Schleifmühlgasse: Constanze Ruhm”,
in: Parnass, Nr. 1, März/April 2010, S. 142
Dietmar Kammerer, “Der Teppich ist das Zentrum”, in: taz.de, 10.02.2010
Nina Schedlmayer, “Unmögliche Filme”, in: Profil, 20/03.
“Brüllender Löwe, Loch in der Wand”, in: Die Presse, 10/05/03.
Gregor Jansen, “Scream and Scream and Scream again”, in: Springerin, No 9, 1/03
Joachim Güntner, “Avantgarde in der Fabrik“, in: Neue Zürcher Zeitung, 19/03/03
“Uncommon Denominator: New Art from Vienna”, in: absolutearts.com, 24/05/02
Brigitte Huck, "Screen Memories", in: Parnass, 2/02, May/Aug
“Insert.Constanze Ruhm”, in: FRAME, No. 11, Apr/May
Michael Hall, in: tema celeste, February
Friedrich Tietjen, in: Flash Art, No. 222, Jan/Feb, p. 100
Patricia Grzonka, “Erinnerungsbild”, in: profil, 07/01/02, p. 99
Reinhold Schachner, “Jacques Lacan, der Traum und die Kunst”, in: Profil, 20/12/01
Matthias Dusini, “Unsichtbare Gegner”, in: Falter, 50/01, p. 76
Gabriele Hoffmann, “In der Schußlinie”, in: taz, 04/12/01, p. 16
Ursula Maria Probst, “Was geschah mit Laura Mars”, in: www.artmagazine.cc, 26/11/01
Rainer Metzger, “Gruppenschau als Interferenzzone”, in: www.artmagazine.cc, 28/01/01
Cuauhtémoc Medina, “El Ojo Breve. Recorridos por el espacio indefinible del presente.” in: Reforma, 13/12/2000, p. 4
Brigitte Huck, “Mutter weist den Weg. Die Art Basel bestätigte erneut ihren Ruf, die Mutter aller Kunstmessen zu sein.”, in: Der Standard, 01/07/2000
Peter Frank, “Art Picks of the week. Mars”, in: LA weekly, 06-12/08/2000
Brigitte Huck, “Wien: Herbstlicher Ausstellungsrundgang”, in: Eikon, no. 26/27
Doris Krumpl, “Transzendenz-Bonbons. Felix Gonzalez-Torres sowie Constanze Ruhm im MMK im 20er Haus”, in: Der Standard